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SYLLABUS RULES & REGULATIONS |
- ACCOMODATIONS
- ACCOMPANIMENT
- ACCOMPANISTS
- ADJUDICATIONS
- ADJUDICATORS, MASTER TEACHERS & CLINICIANS
- AGE LIMITS
- AMATEUR STATUS
- AWARDS CEREMONY
- AWARDS, MARKS & PRIZES
- BONA FIDE MEMBERSHIP
- BRASS BAND
- CANADIAN CONTENT
- CANADIAN MUSIC FESTIVAL ADJUDICATORS’ ASSOCIATION
- CHANGE IN CONTACT INFORMATION
- CLASS CATEGORIES OF COMPETITION
- CLASSROOM CHOIRS BY GRADE
- COMPETITIONS MANAGEMENT
- CONCERTO or CONCERTED WORK
- CONDUCTORS
- CONTACT WITH ADJUDICATORS
- COPIES OF MUSIC
- DATES & ENRY DEADLINES
- COSTUMES & PROPS
- DA CAPO
- DISTURBANCES
- DONATIONS
- ENGLISH TRANSLATIONS
- FEDERATION OF CANADIAN MUSIC FESTIVALS ASSOCIATION
- FEES
- FESTIVALS
- GENERAL RULES
- GOVERNANCE
- GRAND FINALS EXHIBITION & COMPETITION - APRIL 20-26th, 2009
- GALA CONCERT
- ELIGIBILITY
- HOW TO ENTER
- LEVEL OF STUDY
- LIMITATIONS OF LIABILITY
- MASTER CLASSES
- MEMORIZATION
- NATIONAL MUSIC FESTIVAL
- NATIONAL MUSIC FESTIVAL GRAND AWARD COMPETITION
- ONTARIO MUSIC FESTIVALS ASSOCIATION
- ONTARIO PROVINCIAL AUDIO-RECORDED COMPETITIONS
- PERFORMANCE OPPORTUNITIES
- PHOTOCOPYING
- PHOTOGRAPHS, RECORDINGS & CELL PHONES
- PROVINCIAL FINALS COMPETITION
- QUESTIONS AND PROTESTS
- REPEATS
- REPERTOIRE REQUIREMENTS
- SCHOOL CATEGORIES
- SPECIAL NEEDS PARTICIPANTS
- SPLIT CLASSES
- SUGGESTIONS
- SUPERVISION OF CANDIDATES
- TIME LIMITS
- TUNING
- WARM - UP
| ACCOMODATIONS |
Participants and their chaperones are responsible for their own travel, accommodation, accompanist services and meals. |
| ACCOMPANIMENT |
Acoustic or digital piano accompaniment is required for all solo entries, with the exception of Dance. They are the only forms of accompaniment permitted, unless otherwise specified. Solo instrumental accompaniment such as guitar and lute or small percussion or instrumental groups with a maximum of five (5) members may also be permitted in some classes where specified. Please be sure to inquire with the Festival office if in doubt prior to registration. A chord may be given on the piano at the commencement of each piece of unaccompanied music. There is no accompaniment, piano or otherwise, permitted for ensemble classes, unless specified. |
| ACCOMPANISTS |
Competitors are required to provide their own accompanist for competition, master classes and performances, without remuneration or payment for incidental expenses. Accompanists and their requirements are the responsibility of the entrant. Accompanists may not sing along with competitors, or coach from the piano. The Grand Finals program order will not be changed to accommodate accompanists. The Festival Competition reserves the right to disqualify any competitor whose accompanist does not have an original score clearly visible during live performance. |
| ADJUDICATIONS |
Adjudications offer invaluable feedback to competitors, as they assess the strengths and weaknesses of each performance and include recommendations for improvement. |
| ADJUDICATORS, MASTER TEACHERS & CLINICIANS |
The Arts Integra International Festival Competition has assembled the finest Internationally renowned Adjudicators, Master Teachers & Clinicians of the highest standard of excellence and artistic integrity, dedicated to providing any interested individuals, regardless of previous experience, their skills and knowledge in this outstanding Arts-based Festival Competition. The Arts Integra faculty is multicultural and diverse, composed of highly regarded Educational and Performing Arts professionals, and specialists in their respective fields. Master Classes are offered in a stimulating, positive and encouraging environment that fosters confidence and personal growth with regards to teamwork, artistic understanding, responsibility, self-discipline and artistic expression. Adjudicators have the right to stop or start a performance at any time, and may choose to hear only a portion or portions of works to be played. Adjudicators also have the authority to expel anyone whose behaviour is deemed inappropriate or distracting at any time, without refund. The Association reserves the right to substitute or appoint additional adjudicators or clinicians without notice, at any time. Decisions of judges are final. |
| AGE LIMITS |
Competitors may enter only once in each class. Competitors may be of any age, however in all classes in which an age limit is prescribed, competitors must be no older than the prescribed age on the last day of the forthcoming Festival. Age limits will be strictly adhered to and the exact date and year of birth must be entered in the space provided on the entry form, accompanied by a copy of a birth certificate or passport documenting proof of age. MUSIC DIPLOMA CLASSES MUSIC THEATRE SPEECH ARTS |
| AMATEUR STATUS |
For the purpose of these competitions an amateur shall be defined as follows: |
| AWARDS CEREMONY |
The Arts Integra Awards Ceremony will take place on Sunday, April 26th, 2009 and is compulsory for all Grand Finals Exhibition and Competition candidates. Competitors not in attendance will be ineligible to be chosen as Winners. Failure to attend may result in disqualification. |
| AWARDS, MARKS & PRIZES | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
All Awards and Certificates will be presented at the absolute sole discretion of the International renowned Jury, Adjudicators and the Executive Committee. All of the judges’ decisions are final. GOLD 89% & above
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| BONA FIDE MEMBERSHIP |
Competitors in Choral Societies, Choirs, Orchestras, Bands and other Ensembles in groups of three or more, must be bona fide members of their respective organizations on January 1st of the year of the Festival Competition. Competitors must be prepared to submit a list of such members under circumstances wherein the Arts Integra International Festival Competition or the Ontario Association may require a certificate of bona fide membership. |
| BRASS BAND |
A Brass Band may be comprised of any or all of the following instruments: cornets or trumpets, flugel horns, E flat alto horns, baritones/euphoniums, trombones, tubas and drums. |
| CANADIAN CONTENT |
Canadian repertoire is readily available at most music stores and at the Canadian Music Centre located at the address below: Canadian Music Centre |
| CANADIAN MUSIC FESTIVAL ADJUDICATORS’ ASSOCIATION |
A National organization of highly professional adjudicators comprised of performers and teachers who have established highly respected reputations within their fields of expertise. |
| CHANGE IN CONTACT INFORMATION |
It is essential that you notify the Festival Office of any change of address following submission of any entry form. |
| CLASS CATEGORIES OF COMPETITION | ||||||||||
Entry is open to work that applies to the following categories:
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| CLASSROOM CHOIRS BY GRADE |
Choirs by grade may contain up to 65 voices. |
| COMPETITIONS MANAGEMENT |
The competitions shall be under the Management of the Arts Integra Centre for Music and the Arts Inc. The Executive Director has the final decision in any error or omission in all regulations. |
| CONCERTO or CONCERTED WORK |
A Concerto or Concerted work applies to any composition for solo instrument with orchestral accompaniment. ORCHESTRAL CONCERTO OR CONCERTO WORK |
| CONDUCTORS |
Conductors may be either professional or amateur. With the exception of Jazz Ensembles, conductors may not sing with their choirs nor play with their choirs, orchestras, bands or ensembles. |
| CONTACT WITH ADJUDICATORS |
At no time are competitors or others permitted to enter into any discussion or correspondence with the Adjudicators, unless invited to do so by the Adjudicator. Please direct all questions to the Platform Marshal or to the Festival Competition Office. |
| COPIES OF MUSIC |
All copyrights must be observed. Contestants must provide original scores of music being used, containing solo and accompaniment in the proper key, for the adjudicator. The accompanist must have an original score on the piano, and members of chamber groups must perform from original parts. Failure to do so automatically disqualifies the contestant. As an aid to the adjudicators, contestants must number the first bar of each line in their scores. Music must be delivered to the adjudicator’s secretary immediately preceding the class and retrieved immediately following the competition class during the Grand Finals Exhibition & Competition. Failure to comply with this regulation may result in the competitor being declared non-competitive and adjudicated without marks. If requested, competitors will have 24 hours to provide original copies of the music to the Adjudicator. Please use page-turners if required. |
| DATES & ENRY DEADLINES | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| COSTUMES & PROPS |
Costumes & Props are permitted during classes, where specified. A list of all prop requirements must be submitted along with Entry. Competitors are permitted to have one assistant to help with costume changes, and will be given time between songs for a costume change, if needed during live performance. Please include time required for costume change in the total performance time when registering. |
| DA CAPO |
Da Capo and Dal Segno indications must be observed at all levels in order to maintain the integrity of the composer’s intended presentation as much as possible. |
| DISTURBANCES |
Anyone who detracts from a performance or adjudication or is in any way disruptive will be expelled from the performance and competition with no refund given. |
| DONATIONS |
Please consider making a donation along with your entry. The Arts Integra International Festival Competition receives no funding from government agencies and relies on the support of its donors to ensure its existence. All donors will be listed online and receipts will be issued. |
| ENGLISH TRANSLATIONS |
An English translation must be provided for the adjudicator if performing in any language other than English. |
| FEDERATION OF CANADIAN MUSIC FESTIVALS ASSOCIATION |
The Arts Integra International Festival Competition is a member Festival of the Federation of Canadian Music Festivals Association, which may be found at www.fcmf.org. |
| FEES |
The Executive Committee shall establish the price of admission to all classes and sessions of the Arts Integra International Festival Competition. Appropriate Entry Fees must accompany each entry registration, and includes a $10 processing fee per registration. Contestants may enter more than one category, but may only enter each class once. Once a registration is submitted, fees are non-refundable for any reason. |
| FESTIVALS |
LOCAL FESTIVAL – Arts Integra International Festival Competition • Contestants must be recommended to Provincials from a Senior or National Class as provided for in the Provincial/Local Festival Syllabus. |
| GENERAL RULES |
The following rules have been prescribed to ensure equal fairness for all competitors. Please read them carefully before applying to participate in the Festival Competition. By entering this competition, you agree that you have read and understood this Syllabus and implicitly agree to the rules and specifications for each class entered in their entirety prior to submitting an Entry Form, and certify that all rules and conditions contained herein will be complied with in respect to each entry. Failure to comply with any of the provisions of the following rules shall render the competitor liable to disqualification. |
| GOVERNANCE |
The Festival Competition shall be known as the “Arts Integra International Festival Competition”. |
| GRAND FINALS EXHIBITION & COMPETITION - APRIL 20-26th, 2009 |
The Grand Finals are considered to be the most outstanding level of competition. • The Ontario Provincial Festival Syllabus: www.omfa.ca |
| GALA CONCERT |
Selected competitors may be contacted by the Festival Competition and invited to perform for the public at the Finals Gala Concert during the Markham Village Music Festival in June, without remuneration or payment for incidental expenses. Performers need not necessarily have won their competitive classes in order to be invited to perform. |
| ELIGIBILITY |
The Arts Integra International Festival Competition for Music and the Arts invites all Individuals, Schools, Sacred and Community Choirs, Bands, Orchestras and Ensembles, Dance and Theatre Groups, Culinary, Literary and Visual Artists interested in participating in the Creation and Performance of the Arts to participate in this inaugural year of the Arts Integra International Festival Competition. |
| HOW TO ENTER |
Review the Festival Competition syllabus rules, regulations and class notes, then complete and submit the Online Entry Registration form, made available at www.artsintegra.com. • Competitors may not appear more than once in any one class, excluding accompanists and conductors.
ARTS INTEGRA
INTERNATIONAL FESTIVAL COMPETITION 132 Main Street Unionville, Ontario L3R 2G4 CANADA
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| LEVEL OF STUDY |
Competitors must perform works at their current level of study indicated upon registration, unless otherwise specified. The “current level of study” is the Conservatory level being studied as of December 31st of the competition year. If no conservatory examination has been taken in the year prior to the Festival Competition, the teacher must assign a level, based on his/her estimation of the competitor’s level of study in relation to existing Conservatory grades. This level must be reflected in the majority of selections entered. |
| LIMITATIONS OF LIABILITY |
In case of discrepancy or dispute, the decision of the Festival Competition Office is final in all matters. Except where prohibited by law, by participating, Contestants/Competitors agree to the following:
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| MASTER CLASSES |
Master Classes will be held on Saturday, April 25th, 2009 in Markham. |
| MEMORIZATION |
Selections must be played from memory, unless stated otherwise. Use of music will result in adjudication only; no mark will be awarded. Please be sure to read all class section notes for exceptions. Entrants who do not meet memorization requirements are encouraged to enter non-competitive classes and will be exempt from Awards. |
| NATIONAL MUSIC FESTIVAL |
The National Music Festival is a classical, competitive festival organized by the Federation of Canadian Music Festivals, designed to help talented non-professional musicians to progress towards professional status.
DISTINGUISHED PATRON Her Excellency, The Right Honourable Michaëlle Jean, C.C., C.M.M., C.D. Governor General of Canada
HONOURARY PATRONS The Honourable Norman Kwong, Lieutenant Governor of Alberta The Honourable Iona V. Campagnolo, PC, CM, OBC, Lieutenant Governor of British Columbia
The Honourable John Harvard, PC, OM, Lieutenant Governor of Manitoba The Honourable Herménégilde Chiasson, Lieutenant Governor of New Brunswick The Honourable Edward Roberts, Lieutenant Governor of Newfoundland The Honourable Mayann E. Francis, O.N.S., Lieutenant Governor of Nova Scotia The Honourable Barbara A. Hagerman, Lieutenant Governor of Prince Edward Island The Honourable Dr. Gordon Barnhart, Lieutenant Governor of Saskatchewan Federation of Canadian Music Festivals Executive Dianne Johnstone, President
Steven Fielder, Vice President
Pam Allen, Director
Barbara Long, Director
Joan Sigmundson, Director
Jim Harmsworth, Past President
Cindy Rublee, Executive Director
Provincial Festival Administrators
Alberta – Jerry Lonsbury (403) 562-2434
British Columbia – Antonia Mahon (250) 493-7279
Manitoba – Somer Kenny (204) 945-4578
New Brunswick – Barbara Long (506) 375-6752
Newfoundland – Joan Woodrow (709) 722-9376
Nova Scotia – c/o Registrar Lana Churchill (902) 752-9590
Ontario – Pam Allen (888) 307-6632
Prince Edward Island – Diane Campbell (902) 569-2885
Quebec – Tom Davidson (514) 398-4534
Saskatchewan – Carol Donhauser (306) 757-1722
Please direct all queries and correspondence regarding the Canadian National Music Festival to: Cindy Rublee, Executive Director
Phone (800) 961-5162
Fax (204) 231-5735
E-mail: fcmf@mts.net
www.fcmf.org
HISTORY
An all-Canadian Music Competition was held in Centennial Year (1967) with final competitions at Saint John, New Brunswick. The National Centennial Committee in conjunction with provincial governments funded this. The Federation of Canadian Music Festivals, founded in 1949, was primarily responsible for its organization and administration. In 1972 the National Festival was instituted on an annual basis, with final competitions being held in early September at the Canadian National Exhibition. In 1973, the Canadian Imperial Bank of Commerce became the Festival’s corporate sponsor, a relationship that was appreciated for 24 years. In 1981 it was decided that the National Festival would be held in a different province each year. NATIONAL MUSIC FESTIVAL CLASSES
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| NATIONAL MUSIC FESTIVAL GRAND AWARD COMPETITION |
First place winners in Classes 1 through 7 will perform at the Grand Award Competition for the Grand Award. ii) Living or studying in Canada, and who perform at festivals affiliated through the Provincial Music Festival Association. |
| ONTARIO MUSIC FESTIVALS ASSOCIATION |
The Arts Integra International Festival Competition is a member Festival of the Ontario Music Festivals Association. The Ontario Music Festivals Association is the organizing body of the Ontario Provincial Finals located at www.omfa.info. |
| ONTARIO PROVINCIAL AUDIO-RECORDED COMPETITIONS |
By submitting an Application Form for Ontario Provincial competitions, the competitor agrees to have read, understood, and to abide by the regulations contained herein and on the OMFA website at www.omfa.info. |
| PERFORMANCE OPPORTUNITIES |
A mandate of Arts Integra is to create performing opportunities for young musicians. Consequently, any Festival Competition participant, including Outstanding Performer Award winners, may be invited, at the discretion of the Executive Committee, without remuneration or payment for incidental expenses, to perform at other events sponsored throughout the year by Arts Integra. |
| PHOTOCOPYING |
In most cases, it is illegal to photocopy any portion of copyright music or text without authorization from the copyright holder. No photocopies, computer-generated copies or copy derived from computer programs will be allowed in this Festival in any case whatsoever, unless they show legal, written authorization of the publisher. Please note that both the accompanist’s copy and the Adjudicator’s copy must be original copies of the music and adhere to all Photocopying policies as outlined in the syllabus. The Festival reserves the right to disqualify any competitor presenting a photocopy or computer-generated copy. Legal sheet copies of scores downloaded from the Internet and printed off-site, may be permitted, but must be accompanied by suitable and full receipt documentation to the Festival Office ensuring the competitor has gained permission from the publisher, or that the music has been legally purchased through a legally licensed music provider. Please use page-turners if required. |
| PHOTOGRAPHS, RECORDINGS & CELL PHONES |
The concentration of performers and adjudicators must be respected at all times. All electronic, visual or audio recording equipment including photography, flash, lighting, cell phones, pagers, blackberries and cameras, are strictly prohibited in the performance hall while the competition is in progress, during adjudications or during any Arts Integra event except as authorized in advance by the Festival Competition Office. Please be sure to turn off any electronic devices before entering the competition or performance venue. Anyone caught using any photographic or recording devices will be removed from the premises, and no refund will be given. |
| PROVINCIAL FINALS COMPETITION |
2010 Provincial Finals Competition
Dates: June 4-11, 2010
Location: Sir Wilfrid Laurier University, Waterloo, ON
All competitors must live or study in the Province of Ontario, (with the exception of the National Capital Region GRADED entrants who may live in the Gatineau, Quebec area) and have received the recommendation of the adjudicator of the local festival to attend the Provincial Festival and have received a mark of at least 85% in at least one entry at the local level. |
| QUESTIONS AND PROTESTS |
These rules and regulations have been devised to ensure equal fairness for all competitors. Questions and protests must be made in writing within twenty-four (24) hours of any incident, and addressed to: Executive Director
Arts Integra International Festival Competition for Music and the Arts C/o: Arts Integra Centre for Music and the Arts Inc. 132 Main Street Unionville, Ontario L3R 2G4 Canada info@artsintegra.com.
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| REPEATS |
In the interest of timing, repeats are only required in the Senior Repertoire levels of Grade 9 and above, unless they are deemed an integral part of the form of a piece. |
| REPERTOIRE REQUIREMENTS |
A selection of repertoire may only be used by once during the Festival Competition, and must conform to category requirements, excluding repertoire performed during Master Classes. Any previously performed repertoire is only permitted during Master Classes, which are non-competitive workshops. |
| SCHOOL CATEGORIES |
Elementary School: Grade 8 & under. |
| SPECIAL NEEDS PARTICIPANTS |
Special Needs classes are at a Non-competitive level. Special Needs participants are individuals who require assistance for disabilities, which may be medical, mental, developmental, intellectual or psychological. Adjudicators wish to be sensitive and encouraging to all special needs participants. Please include a brief explanation of the special needs of each competitor upon registration. |
| SPLIT CLASSES |
Split class choirs should register for classes according to the grade containing the most students. |
| SUGGESTIONS |
We welcome any ideas and suggestions for new classes of competition, which you may have to help us improve our Festival Competition. Please feel free to email us with your contributions. |
| SUPERVISION OF CANDIDATES |
Conductors, parents, guardians, or delegated members of the teaching staff must be directly responsible for their wards from the time of arrival to departure. Each group entry must secure and provide adequate supervision of students at all times to ensure an appropriate level of respect for all performances, adjudications and property at Festival Competition venues. Adult supervision must be present at all times. Participants must conduct themselves with the highest levels of deportment at all times. Anyone who detracts from a performance or adjudication or is in any way disruptive will be expelled from the performance and competition with no refund given. |
| TIME LIMITS |
Performances must adhere to the time limit specified for each class or a penalty in marking will result. The performance may be stopped if this limit is exceeded. The Executive Committee reserves the right to alter times, durations of performances, dates and venues at any time. Accurate performance times must include assembly, tuning, warm-up and performance, and must be included on the registration form. Live competition class start times and order of performances will be strictly observed. Adjudicators may choose to hear a portion or portions of works to be played. Classes may be divided or combined at the discretion of the Festival Office. |
| TUNING |
Competitors under 17 years of age may have their instruments tuned by a teacher or other person. |
| WARM - UP |
Competitors are not allowed to rehearse or warm-up in the competition hall prior to or during the Festival Competition Finals Gala, with the exception of Choirs. Choirs may warm up for one minute. Where possible, warm-up rooms may be made available, but this cannot be guaranteed. |












